Collection Summary
Collection Title
Isolde Menges Collection (1908-1957): Box 2
Description
Programmes of concerts given in British Isles, but not including London, by the violinist Isolde Menges.
Contents:
Ayr: Town Hall (1 programme)
Bath: Pump Room (1 programme)
Birmingham: Town Hall (4 programmes)
Blundell School: (1 programme)
Bognor: Pavilion Gardens (1 programme)
Bournemouth: Winter Gardens (9 programmes); Bournemouth pier and Winter Gardens (3 programmes; Menges played at the Winter Gardens only); unknown venue (1 programme) (conductors include Gustav Holst and Alexander Mackenzie)
Bradford: Morley Street Picture House (1 programme); Theatre Royal (2 programmes)
Brighton: The Dome (6 programmes); Royal Pavilion (3 programmes); Prince’s Hall & Sun Terraces (1 programme)
Bristol: Colston Hall (2 programmes)
Bryanston: Byanstan School (1 programme)
Cambourne and Truro: St. George’s Hall, Cambourne and City Hall Truro (1 programme); unlisted concert venues in Cambourne and Truro (1 programme)
Cambridge: Cambridge Guildhall (1 programme); Informal Music Club (1 programme); Music School (1 programme)
Croydon: North End Hall (1 programme); Baths Hall (1 programme)
Derby: Central Hall (1 programme)
Dover: Town Hall (2 programmes)
Dublin: Royal Dublin Society (1 programme)
Fletching: The Schools, Fletching (1 programme)
Folkestone: The Sixteenth British Music Industries Convention (1 programme) (other artists include Chaliapine (bass)
Glasgow: Saint Andrew’s Hall (4 programmes) (accompanists include Tod Boyd; Isolde Menges plays music by including Tod Boyd and Herbert Menges)
Harrogate: Royal Hall (1 programme)
Hastings: White Rock Pavilion (1 programme)
Helensburgh: (1 programme)
Hove: Town Hall (2 programmes) (1 programme with Symphonic String Players, conducted by Herbert Menges; 1 programme with Symphonic Players, conducted by Herbert Menges); Music Room “Wahnfried”, 27 Clarendon Villas (1 programme)
Leeds: Town Hall (4 programmes) (including 1 programme for Leeds Musical Festival 1931, conducted by Malcolm Sargent with Menges and Albert Sammons playing solo violin)
Liverpool: Liverpool Philharmonic Society Hall? (5 programmes; 3 programmes from concert 13/2/23 are conducted by Koussevitzky)
Llandudno: Pier Pavilion (1 programme)
Londonderry House: (1 programme)
Manchester: Bowdon Assembly Rooms (1 programme); Brand Lane’s (1 programme); Free Trade Hall (4 programmes); Lesser Free Trade Hall (2 programmes); Odeon Theatre (1 programme);
Newcastle: Old Assembly Rooms (2 programmes); Town Hall (2 programmes)
Northampton: New Theatre (1 programme)
Norwich: St. Andrew’s Hall (2 programmes)
Oundle: The Great Hall, The School, Oundle (1 programme)
Oxford: Town Hall (1 programme)
Redhill: Market Hall (1 programme) (with Solomon, piano)
St. Helens: Town Hall (1 programme) (promoted by St. Helens Glee Club)
Sheffield: Victoria Hall (1 programme)
Tunbridge Wells: The Opera House (1 programme)
Winchester: The Guildhall (1 programme)
Arrangement:
By alphabetical order of place name, then by alphabetical order of venue, then by date. Undated items appear at the end of the sequence for each venue.
Contents:
Ayr: Town Hall (1 programme)
Bath: Pump Room (1 programme)
Birmingham: Town Hall (4 programmes)
Blundell School: (1 programme)
Bognor: Pavilion Gardens (1 programme)
Bournemouth: Winter Gardens (9 programmes); Bournemouth pier and Winter Gardens (3 programmes; Menges played at the Winter Gardens only); unknown venue (1 programme) (conductors include Gustav Holst and Alexander Mackenzie)
Bradford: Morley Street Picture House (1 programme); Theatre Royal (2 programmes)
Brighton: The Dome (6 programmes); Royal Pavilion (3 programmes); Prince’s Hall & Sun Terraces (1 programme)
Bristol: Colston Hall (2 programmes)
Bryanston: Byanstan School (1 programme)
Cambourne and Truro: St. George’s Hall, Cambourne and City Hall Truro (1 programme); unlisted concert venues in Cambourne and Truro (1 programme)
Cambridge: Cambridge Guildhall (1 programme); Informal Music Club (1 programme); Music School (1 programme)
Croydon: North End Hall (1 programme); Baths Hall (1 programme)
Derby: Central Hall (1 programme)
Dover: Town Hall (2 programmes)
Dublin: Royal Dublin Society (1 programme)
Fletching: The Schools, Fletching (1 programme)
Folkestone: The Sixteenth British Music Industries Convention (1 programme) (other artists include Chaliapine (bass)
Glasgow: Saint Andrew’s Hall (4 programmes) (accompanists include Tod Boyd; Isolde Menges plays music by including Tod Boyd and Herbert Menges)
Harrogate: Royal Hall (1 programme)
Hastings: White Rock Pavilion (1 programme)
Helensburgh: (1 programme)
Hove: Town Hall (2 programmes) (1 programme with Symphonic String Players, conducted by Herbert Menges; 1 programme with Symphonic Players, conducted by Herbert Menges); Music Room “Wahnfried”, 27 Clarendon Villas (1 programme)
Leeds: Town Hall (4 programmes) (including 1 programme for Leeds Musical Festival 1931, conducted by Malcolm Sargent with Menges and Albert Sammons playing solo violin)
Liverpool: Liverpool Philharmonic Society Hall? (5 programmes; 3 programmes from concert 13/2/23 are conducted by Koussevitzky)
Llandudno: Pier Pavilion (1 programme)
Londonderry House: (1 programme)
Manchester: Bowdon Assembly Rooms (1 programme); Brand Lane’s (1 programme); Free Trade Hall (4 programmes); Lesser Free Trade Hall (2 programmes); Odeon Theatre (1 programme);
Newcastle: Old Assembly Rooms (2 programmes); Town Hall (2 programmes)
Northampton: New Theatre (1 programme)
Norwich: St. Andrew’s Hall (2 programmes)
Oundle: The Great Hall, The School, Oundle (1 programme)
Oxford: Town Hall (1 programme)
Redhill: Market Hall (1 programme) (with Solomon, piano)
St. Helens: Town Hall (1 programme) (promoted by St. Helens Glee Club)
Sheffield: Victoria Hall (1 programme)
Tunbridge Wells: The Opera House (1 programme)
Winchester: The Guildhall (1 programme)
Arrangement:
By alphabetical order of place name, then by alphabetical order of venue, then by date. Undated items appear at the end of the sequence for each venue.
Format
Date range of collection
1920 - 1941
Accumulation Dates
-
Suggested Audience
Not Specific
Associated People or Organisations
- Symphonic String Players -
- Symphonic Players -
- British Music Industries Convention -
- Royal Dublin Society -
- Chaliapin, Fyodor 1873 - 1938
- Cutner, Solomon Solomon 1902 - 1988
- Koussevistsky, Serge -
- Sammons, Albert -
- Sargent, Malcolm -
- Menges, Herbert 1902 - 1972
- Boyd, Tod -
- Mackenzie, Alexander Campbell -
- Holst, Gustav -
- Menges, Isolde 1893 - 1976
Associated Places
- Informal Music Club
- Guildhall, Winchester
- Opera house, Tunbridge Wells
- Victoria Hall, Sheffield
- Town Hall, St. Helens
- Market Hall, Redhill
- Town Hall, Oxford
- Oundle school: Great hall
- Town Hall, Newcastle
- Old Assembly Rooms, Newcastle
- Odeon Theatre, Manchester
- Lesser Free Trade Hall
- Bowdon Assembly Rooms
- Londonderry House
- Town Hall, Leeds
- Helensburgh
- Schools, Fletching
- Baths Hall, Croydon
- North End Hall, Croydon
- Music School, University of Cambridge
- Guildhall, Cambridge
- Morely Street Picture House, Bradford
- City Hall, Truro
- St. George's Hall, Camborne
- Bryanston School
- Prince's Hall & Sun Terraces
- Theatre Royal, Bradford
- Bournemouth Pier
- Pavilion Gardens, Bognor
- Blundell School
- Pump Room, Bath
- Town Hall, Ayr
- Royal Pavilion, Brighton
- St. Andrew's Hall, Norwich
- New Theatre, Northampton
- Free Trade Hall
- Pier Pavilion, Llandudno
- Liverpool Philharmonic Hall
- Town Hall, Hove
- White Rock Pavilion, Hastings
- Royal Hall, Harrogate
- St. Andrew's Hall, Glasgow
- Town Hall, Dover
- Central Hall, Derby
- Colston Hall
- Dome, Brighton
- Winter Gardens, Bournemouth
- Town Hall, Birmingham
Associated Times
This collection is about
Location Details
Royal College Of Music, Centre for Performance History
College Hall
220-238 Goldhawk Road London W12 9PL Open Map
Website
Email
portraits@rcm.ac.uk
Telephone
020 7591 4340
Fax
020 7589 7740
Visiting Information
Mon-Fri by appointment
Research access by appointment only.
Researchers will be provided with Collection Regulations, and will be asked to complete a Researcher Registration Form (copies are available on the CPH website)
Building Information
The Portraits and Performance History Collection and its associated reading room is housed in a recently adapted space within the RCM's College Hall, its hall of residence for students.
There is step-free access for visitors.
Collections Overview
The Centre for Performance History (CPH) is a research centre and is also responsible for the stewardship of two well-established RCM research collections, the Museum of Instruments and the Portraits and Performance History Collection (PPHC). The latter houses a diverse collection relating to the history of performance including the RCM’s internationally famous collection of images, comprising 340 original portraits and sculptures and 25,000 prints and photographs, forming the most comprehensive archive of likenesses of musicians in the UK. The collection of 600,000 concert programmes from 1720 to the present day is of major importance for research into the history of music, society and culture.
For details of other collections held at the same location: See the location record
Additional Collection Information
Accrual Status
Closed
Related Publications
Management Information (Type)
Collection Owner(s)
Collection Creator(s)
Collection Collector(s)
Collection Custodians(s)
Associated Collection(s)



