Four concert programmes contained within The Violin, Miscellanea, the bound volumes of papers relating to Edward Heron-Allen (1861-1943).

Vol. XV (1891)
Three programmes for performances given at St. James's Hall between 1890 and 1893.
Thursday 4 December [1890]: Violoncello Recital by Master Jean Gerardy, with Miss Carlotta Elliot (soprano) and Mr Waddington Cooke (programme and ticket) [12].
6 May and 5 June 1893: Mons. Tivadar Nachez (violin), with the vocalists Lawrence Kellie (May) and Eugene Oudin (June) (single document) [25].
5 December 1890: Sarasate Concert no.3 given by Sarasate (violin) with Madame Berthe Marx (piano) [25].


Vol. XIV (1891)
5 February 1890, Victoria Hall, Bayswater: Students' Prize Bow Concert, given by the Tavistock Violin Academy, 43 Sutherland Avenue, directed by Mr Basil Althaus (handbill) [22].

1890 - 1893

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Not Specific

• Tavistock Violin Academy -
• Sarasate, Pablo de -
• Oudin, Eugene -
• Nachèz, Tivadar -
• Marx, Berthe -
• Kellie, Lawrence -
• Heron Allen, Edward -
• Gerardy, Jean -
• Elliot, Carlotta -
• Cooke, Waddington -
• Althaus, Basil -

• Victoria Hall, Bayswater

• 19th century - late Victorian 1876-1899

• Tickets
• Handbills

Prince Consort Road London SW7 2BS United Kingdom

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pthompson@rcm.ac.uk

020 7591 4323

020 7589 7740 

Loans of performance sets to individual societies or persons; binding; reprographics; photocopying; microform printing

Founded in 1883, the RCM Library primarily supports the performance, study and research of RCM members. It is also open to the public for reference and research. It contains some 300,000 items, including significant collections of early printed and manuscript material from the 16th to 19th centuries, given to the College upon its foundation, specifically the Libraries of the Sacred Harmonic Society and of the Concerts of Ancient Music. Donations since have included autographs of composers of international renown, amongst them Beethoven, Chopin, Haydn, Mozart and Schubert, as well as manuscripts and archives of major British composers. Although a British bias is apparent, the collection also has significant German and Italian manuscripts and early printed holdings. Later acquisitions of printed music include large quantities of out-of-print material, and sizeable collections of performance sets. Audio-visual holdings and the RCM's own sound archive's are also extensive.