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HomeSearchGetRecordGermany: Berlin Ko-Si (1896-1995)

Collection Summary

Collection Title
Germany: Berlin Ko-Si (1896-1995)
Description
A miscellaneous collection of handbills, programmes and brochures for performances given at various venues in Berlin - principally the Philharmonie - between 1896 and 1995, ordered by venue and held as four folders within a single box.

The second of these folders is devoted solely to programmes for performances given at the Philharmonie (1910, 1913, 1920-28, 1968, 1984 and 1995), including an extended sequence of programmes given by the Berlin Philharmonic Orchestra [Berliner Philharmonisches Orchester], conducted by Bruno Walter, on the following dates: 13 December 1913; 6 December 1920 (Josef Mann, vocal); 24 October 1921 (Maria Ivogun, vocal); 24 April 1922 (Sigrid Onegin, vocal); 18 September 1922 (Maria Olszewska and Fritz Krauss, vocal); 8 October 1923 (Artur Schnabel, piano); 8 February 1926; 22 March 1926 (Lotte Schöne, vocal) and 19 November 1928.
Where appropriate, the majority of these documents include words and those for 8 February and 22 March 1926 and 19 November 1928 also provide programme analytical notes (with musical examples).

The folder contains programmes for further performances by this ensemble given on 7 November 1910 and 26-29 October 1995 with pianists Ferruccio Busoni/Lilya Zilberstein, conducted by A. Nikisch/Claus Peter Flor: that for 1910 includes notes, musical examples and photographs. Also, programmes for concerts on 27 January 1968 (Bath Festival Orchestra with Yehudi Menuhin) and on 16 February 1984 (Radio-Symphonie-Orchester Berlin, directed by Michael Zilm, 2 copies), both of which include words, notes, biographical notes and photographs. That for 1968 also provides a list of the orchestral ensemble.

In addition to concert programmes, the box contains 2 editions of the Blätter der Philharmonie and a copy of Der Anbruch for 1921, the latter including programmes for a Busoni-Zyklus, the majority of the performances of which were held at the Philharmonie.

The remaining folders contain programmes for a number of venues, as listed below.

Folder 1
Kongreßhalle: 25-30 May 1965, International Piano Congress (single document).
Kongreßsaal Deutsches Museum: 14 January 1964, Bath Festival Orchestra with Yehudi Menuhin (with notes and a list of the orchestral ensemble).
Neues Konigliches Operntheater: (7 July 1911 (handbill)
Kurfürstendamm Theater [Theater am Kurfürstendamm]: Summer 1931, Deutsches Theater Kammerspiele.

Folder 3
Metropol Theatre: 1961–62 season
Odeon u.Parlophon: no date.
Palmengarten, Pirnaische Strasse 29: 11 April 1910 (VI Streichquartett-Abend)
Parkhaus: 6 June 1963 (Sonderkonzert, programme card).

Folder 4
Renaissance-Theater: [no date] 1952-53 season.
Saal Bechstein: 24 Feburary 1904, II Concert von Ossip Schnirlin (violin), directed by Eduard Behm.Bechstein Saal: 24 Feburary 1904, II Concert von Ossip Schnirlin (violin), directed by Eduard Behm.
Schauspielhaus, Grosser Saal
2 March 1914, 2 December 1985 and 21-23 October 1995: English Chamber Orchestra/Berliner Sinfonie-Orchester concert given by Arturo Tamayo and Inga Nielsen (with notes, biographical notes and photographs).
Schiller-Theater: 2 September 1952 and 11 January 1962.
Singakademie
10 January 1896: Concert von Eugen d'Albert with the Philharmonischen Orchester, conducted by F. Mannstaedt (mounted handbill).
[10 April 1911]: Bach, St. John Passion (wordbook).
15 December 1919: Einziger Sonaten-Abend by Arnold Rosé with Bruno Walter (handbill).
19 April 1929: Das Eröffnungs-Konzert in Europa with the Berliner Sinfonie-Orchester, directed by Lazare Saminsky (handbill).
Format
Date range of collection
-
Accumulation Dates
-
Suggested Audience
Not Specific

Location Details

Royal College Of Music, Centre for Performance History
College Hall 220-238 Goldhawk Road London W12 9PL
Open Map
Email
portraits@rcm.ac.uk
Telephone
020 7591 4340
Fax
020 7589 7740 
Visiting Information
Mon-Fri by appointment
Research access by appointment only. Researchers will be provided with Collection Regulations, and will be asked to complete a Researcher Registration Form (copies are available on the CPH website)
Building Information
The Portraits and Performance History Collection and its associated reading room is housed in a recently adapted space within the RCM's College Hall, its hall of residence for students. There is step-free access for visitors.
Collections Overview
The Centre for Performance History (CPH) is a research centre and is also responsible for the stewardship of two well-established RCM research collections, the Museum of Instruments and the Portraits and Performance History Collection (PPHC). The latter houses a diverse collection relating to the history of performance including the RCM’s internationally famous collection of images, comprising 340 original portraits and sculptures and 25,000 prints and photographs, forming the most comprehensive archive of likenesses of musicians in the UK. The collection of 600,000 concert programmes from 1720 to the present day is of major importance for research into the history of music, society and culture.
For details of other collections held at the same location: See the location record

Additional Collection Information

Related Publications
Management Information (Type)
Collection Owner(s)
Collection Creator(s)
Collection Collector(s)
Collection Custodians(s)
Associated Collection(s)
Cardif University (Prifysgol Caerdydd)Royal College of Music LondonMuseums, Libraries and Archives Council